I’m a motion design lead and editor with 15+ years of experience helping teams turn complex ideas into clear, engaging stories. My work spans product explainers, brand films, and motion-driven videos, always grounded in communication first. Whether it’s simplifying a workflow, introducing a feature, or guiding an audience through a narrative, I focus on making information easier to understand and more intuitive for the people using it.
I build systems as much as I build animations. Working across After Effects, Premiere Pro, Cinema 4D, and Figma, I create practical design and editorial workflows, from reusable MOGRT toolkits to AI-assisted pipelines that help teams work faster, stay consistent, and deliver better results with less friction. I’ve produced product-focused work across tech and consumer spaces, and I approach every project with the same mindset: clarity over flash, intention over noise. At the end of the day, I’m a communicator who happens to use motion and video as the tools.
Outside of work, you’ll usually find me playing pickleball, woodworking, or looking for my next concert.
Projects
Experience
Director of Motion Design
Nov 2021 - Present
The Ferguson Agency
Indianapolis, IN
Lead motion projects from concept through final delivery, shaping clear, story-driven work across motion, editorial, and audio while building systems that help our team work faster and stay consistent for regional and national brands.
Director of Motion Design
Nov 2021 - Present
The Ferguson Agency
Indianapolis, IN
Lead motion projects from concept through final delivery, shaping clear, story-driven work across motion, editorial, and audio while building systems that help our team work faster and stay consistent for regional and national brands.
Director of Motion Design
Nov 2021 - Present
The Ferguson Agency
Indianapolis, IN
Lead motion projects from concept through final delivery, shaping clear, story-driven work across motion, editorial, and audio while building systems that help our team work faster and stay consistent for regional and national brands.
Senior Motion Designer
2013 - 2021
Scofield Digital Storytelling
Indianapolis, IN
Edited, designed, and animated motion content while collaborating with agency partners to develop ideas and deliver clear, story-driven work across campaigns from concept through final cut.
Senior Motion Designer
2013 - 2021
Scofield Digital Storytelling
Indianapolis, IN
Edited, designed, and animated motion content while collaborating with agency partners to develop ideas and deliver clear, story-driven work across campaigns from concept through final cut.
Senior Motion Designer
2013 - 2021
Scofield Digital Storytelling
Indianapolis, IN
Edited, designed, and animated motion content while collaborating with agency partners to develop ideas and deliver clear, story-driven work across campaigns from concept through final cut.
Editor/Motion Designer
2009 - 2013
Deutsch
Los Angeles, CA
Edited, designed, and animated motion content within an in-house agency environment, collaborating closely with strategists and brand stakeholders to develop, iterate, and deliver clear, story-driven work across campaigns for digital and broadcast channels.
Editor/Motion Designer
2009 - 2013
Deutsch
Los Angeles, CA
Edited, designed, and animated motion content within an in-house agency environment, collaborating closely with strategists and brand stakeholders to develop, iterate, and deliver clear, story-driven work across campaigns for digital and broadcast channels.
Editor/Motion Designer
2009 - 2013
Deutsch
Los Angeles, CA
Edited, designed, and animated motion content within an in-house agency environment, collaborating closely with strategists and brand stakeholders to develop, iterate, and deliver clear, story-driven work across campaigns for digital and broadcast channels.
Editor/Motion Designer
2006 - 2009
McCann Erickson
Los Angeles, CA
Supported national and global campaigns as an Associate Producer and Video Editor, managing pre-production through post-production workflows, editing content, and contributing motion graphics while collaborating closely with creative and production teams from concept through delivery.
Editor/Motion Designer
2006 - 2009
McCann Erickson
Los Angeles, CA
Supported national and global campaigns as an Associate Producer and Video Editor, managing pre-production through post-production workflows, editing content, and contributing motion graphics while collaborating closely with creative and production teams from concept through delivery.
Editor/Motion Designer
2006 - 2009
McCann Erickson
Los Angeles, CA
Supported national and global campaigns as an Associate Producer and Video Editor, managing pre-production through post-production workflows, editing content, and contributing motion graphics while collaborating closely with creative and production teams from concept through delivery.
Assistant Editor
2004 - 2005
DDB Worldwide
Chicago, IL
Supported post-production workflows as a freelance Assistant Editor, organizing assets, prepping edits, and collaborating with editors to deliver polished broadcast and digital campaigns efficiently.
Assistant Editor
2004 - 2005
DDB Worldwide
Chicago, IL
Supported post-production workflows as a freelance Assistant Editor, organizing assets, prepping edits, and collaborating with editors to deliver polished broadcast and digital campaigns efficiently.
Assistant Editor
2004 - 2005
DDB Worldwide
Chicago, IL
Supported post-production workflows as a freelance Assistant Editor, organizing assets, prepping edits, and collaborating with editors to deliver polished broadcast and digital campaigns efficiently.
Education
Design, Advertising, and 3D Courses
Art Center College of Design
2012
Pasadena, CA
Graphic design, advertising, and 3D animation courses to supplement my knowledge base.
Design, Advertising, and 3D Courses
Art Center College of Design
2012
Pasadena, CA
Graphic design, advertising, and 3D animation courses to supplement my knowledge base.
Design, Advertising, and 3D Courses
Art Center College of Design
2012
Pasadena, CA
Graphic design, advertising, and 3D animation courses to supplement my knowledge base.
Bachelor of Cinema & Photography
Southern Illinois University
2003
Carbondale, IL
Coursework in film and video pre-production, production, and post-production as well as photography and art.
Bachelor of Cinema & Photography
Southern Illinois University
2003
Carbondale, IL
Coursework in film and video pre-production, production, and post-production as well as photography and art.
Bachelor of Cinema & Photography
Southern Illinois University
2003
Carbondale, IL
Coursework in film and video pre-production, production, and post-production as well as photography and art.
CertificatES
Advanced Motion Methods, School of Motion
2021
Advanced Motion Methods, School of Motion
2021
Advanced Motion Methods, School of Motion
2021
Character Animation Bootcamp, School of Motion
2018
Character Animation Bootcamp, School of Motion
2018
Character Animation Bootcamp, School of Motion
2018
Testimonials
Daid Toyoshima
Group Creative Director, IW Group Inc.
I highly recommend Mr. Gilbreath. During my brief tenure at McCann I found Kenny to be not only a great editor, but more than that. He has an eye for film. Coincidently, Ken worked at DDB Chicago, but I didn't know him there. DDB is a big place. But working with Mr. Gilbreath at McCann was a pleasure; not only is he a nice guy, but a guy who gets things done. And under stressful conditions. Ken is a creative talent that needs to be check out.
Daid Toyoshima
Group Creative Director, IW Group Inc.
I highly recommend Mr. Gilbreath. During my brief tenure at McCann I found Kenny to be not only a great editor, but more than that. He has an eye for film. Coincidently, Ken worked at DDB Chicago, but I didn't know him there. DDB is a big place. But working with Mr. Gilbreath at McCann was a pleasure; not only is he a nice guy, but a guy who gets things done. And under stressful conditions. Ken is a creative talent that needs to be check out.
Daid Toyoshima
Group Creative Director, IW Group Inc.
I highly recommend Mr. Gilbreath. During my brief tenure at McCann I found Kenny to be not only a great editor, but more than that. He has an eye for film. Coincidently, Ken worked at DDB Chicago, but I didn't know him there. DDB is a big place. But working with Mr. Gilbreath at McCann was a pleasure; not only is he a nice guy, but a guy who gets things done. And under stressful conditions. Ken is a creative talent that needs to be check out.
Christopher Folkens
Filmmaker || Creative || Entrepreneur || Best-selling Author
I have had the opportunity to work with Kenny on several projects I've directed or produced through the years. Kenny was also my co-editor and 2nd assistant director on one of the craziest film projects I've been on to date. He stuck with me through that project, even in light of a lot of long hours and crazy schedules. Kenny's passion and energy for each project he takes on is truly an asset to whatever he sets his mind to. He really brings a fresh eye and unique insight to each project. I can't wait to work with him again.
Christopher Folkens
Filmmaker || Creative || Entrepreneur || Best-selling Author
I have had the opportunity to work with Kenny on several projects I've directed or produced through the years. Kenny was also my co-editor and 2nd assistant director on one of the craziest film projects I've been on to date. He stuck with me through that project, even in light of a lot of long hours and crazy schedules. Kenny's passion and energy for each project he takes on is truly an asset to whatever he sets his mind to. He really brings a fresh eye and unique insight to each project. I can't wait to work with him again.
Christopher Folkens
Filmmaker || Creative || Entrepreneur || Best-selling Author
I have had the opportunity to work with Kenny on several projects I've directed or produced through the years. Kenny was also my co-editor and 2nd assistant director on one of the craziest film projects I've been on to date. He stuck with me through that project, even in light of a lot of long hours and crazy schedules. Kenny's passion and energy for each project he takes on is truly an asset to whatever he sets his mind to. He really brings a fresh eye and unique insight to each project. I can't wait to work with him again.